Dance artists in today's theatrical dance requirements should receive versatile training to produce "the bottom of ballet and the top of contemporary dance."
believes
SADA
If our perception is not aesthetic in nature, it is then a tasteless recognition, merely mechanical. This topic led the faculty of our dance programs to introduce specific methods of training dance artists, as each is an individual. Each dancing body is not isolated physically by coincidence because of space; on the contrary, they all are potentially linked, and our undertaking is to assist dance artists in finding those very meanings for it.
OUR DANCE PHILOSOPHY
Dance comes to life through our bodies. As expressive human beings, we carry the power to manifest incredible imaginations and create different types of bridges to connect ideas.
PROF. PETER BREUER
Ballet
Artistic Coaching
CRISTINA UTA
Composed Ballet Technique
In-Depth Coaching
SHANG-JEN YUAN, M.A.
Contemporary Dance
Tai Chi
MONICA FOTESCU
ChoreoSophrology
Gyrokinesis® Method
ALEXANDER PEREDA
Cuban Ballet Method
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PAULA PERCIVALLE, M.A.
Classical and Modern Dance
ADMINISTRATIVE TEAM
PROF. PETER BREUER
President
CRISTINA UTA
Artistic Director
SHANG-JEN YUAN, M.A.
Managing Director
CAROLA WISCHENBART
Project Development Executive
NINA DAGLINGER
Public Relations Coordinator
ANNA MARÍA SCHAUER
Program Coordinator