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Dance artists in today's theatrical dance requirements should receive versatile training to produce "the bottom of ballet and the top of contemporary dance."

 believes

SADA

 

If our perception is not aesthetic in nature, it is then a tasteless recognition, merely mechanical. This topic led the faculty of our dance programs to introduce specific methods of training dance artists, as each is an individual. Each dancing body is not isolated physically by coincidence because of space; on the contrary, they all are potentially linked, and our undertaking is to assist dance artists in finding those very meanings for it.

OUR DANCE PHILOSOPHY

Dance comes to life through our bodies. As expressive human beings, we carry the power to manifest incredible imaginations and create different types of bridges to connect ideas.

PROF. PETER BREUER

Ballet

Artistic Coaching

CRISTINA UTA

Composed Ballet Technique

In-Depth Coaching

SHANG-JEN YUAN, M.A.

Contemporary Dance

Tai Chi

MONICA FOTESCU

ChoreoSophrology

Gyrokinesis® Method

ALEXANDER PEREDA

 

Cuban Ballet Method

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PAULA PERCIVALLE, M.A.

 

Classical and Modern Dance

 

ADMINISTRATIVE TEAM​

PROF. PETER BREUER

 

President

CRISTINA UTA

 

Artistic Director

SHANG-JEN YUAN, M.A.

 

Managing Director

CAROLA WISCHENBART

 

Project Development Executive

NINA DAGLINGER

Public Relations Coordinator

ANNA MARÍA SCHAUER

Program Coordinator

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